- Digital camera recorder up to 250 fps 1080p#
- Digital camera recorder up to 250 fps software#
- Digital camera recorder up to 250 fps plus#
- Digital camera recorder up to 250 fps series#
Digital camera recorder up to 250 fps plus#
Other video goodies include S-Log2 and S-Log3, Gamma Display Assist so you aren’t staring at a gray screen during S-Log capture, plus timecode, zebras, and focus peaking.
Digital camera recorder up to 250 fps 1080p#
Video shooters should know that the RX10 IV is also capable of 29 minute long 4K 30 fps video, 1080p 60 fps, and Slow Motion HFR recording of 240, 480, and 960 fps. Owners will want to be careful not to stray too far away from getting it right in camera since messing with exposure levels in post is going to degrade image quality fast I’d compare it to what you can get away with from raw iPhone photos. I’m almost positive that this will not affect my results because of how closely related the cameras are, but just throwing that out there.Ĭompared to APS-C or full-frame cameras, the image files are much less forgiving.
Digital camera recorder up to 250 fps software#
As there is no raw conversion software that has RX10 IV profiles yet, I used ExifTool to switch the raw files' profile to the RX10 III so that they could be read in Capture One Pro. Note: I accidentally shot raw only while testing the camera. I don’t think the lens is a weak point in the RX10 IV, but rather it’s what happens once the light hits the sensor.
This produces pretty impressive sharpness and clarity throughout the focal range of the lens. The lens is made up of 18 elements, 6 being aspherical and 8 extra-low dispersion. Personally, I’m satisfied with the results I got from the image files I shot during this one afternoon. This is to say, if the subject is in front of the lens at 24mm, it can achieve focus. That shadow is being created by the lens hood, and the needles are touching the front of the lens and still are very close to being in focus. I took this photo as an example of the minimum focus distance at 24mm. At the expense culling time in post, I can get great shots in focus even if the situation is totally unpredictable. Silent shooting at 24 fps while autofocus tracking is awesome-r. Third, silent shooting at 24 fps is awesome. Holding steady at 600mm is not easy, and OIS makes a world of difference in what kind of shots one can get away with without extra support equipment. Second, boy were they smart to include SteadyShot Inside Image Stabilization in the camera. First, one can’t change the focal length while tracking a subject in continuous autofocus which was kind of a downer when photographing soccer players running up and down the field in an unpredictable (at least to me) manner. In use, I have a few observations to report. I think this toggle should be stiffer, or rather just redesigned altogether, to prevent accidental turn ons in a bag or turn offs while using the camera. One control that needs work is the on/off switch found at the top of the camera. It fits more comfortably in my hand than the Sony interchangeable lens cameras such as the a9, a7R II, or a6500, and slightly better in the hand but going the opposite direction of “fullness” than the a99 II that I find too big. It’s lightweight for the 24-600mm effective focal range we’re getting out of it, and the handling feels secure and balanced. One thing is certain however, Sony is up to something really good with the RX10 IV.īacking out from the sensor level, the camera body itself is really on point.
Digital camera recorder up to 250 fps series#
For these kinds of pre-release hands-on tests, I generally don’t have the typical get-to-know-you series of shooting, checking files on the computer, and shooting again with corrections from what I learned. Like any camera, there’s a learning curve and I would have loved more time to play with the camera to continue figuring out what works with it and what doesn’t. Also, it appears that sometimes I would get a shot with incredible fine detail definition, but other times I wouldn’t. Even so, while these are where I noticed hits in image quality versus an APS-C or full-frame camera, I’m impressed by these very same things and the level at which they still perform at for being produced on a one-inch sensor.
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